The Absolute Evil of Iago in Shakespeares Othello Essays -- Essays on

The Absolute Evil of Iago in Othello What marks work out villainy is the willingness to be absolutely evil-to have no qualms about be diabolical and no strains of human morality. Because feeling for a nonher authorizes one to start guilt, even an iota of empathy is a character flaw that will lead to the d ownfall of a villain. To succeed, the villain needs to emulate the character Iago in Othello, who consistently works his evil throughout the whole play and does not slip until the end, when there is simply no way he lowlife turn the situation to his advantage. Iago is a model for the ultimate villain because he operates on a self-styled level of morality, such that he never doubts his actions, however diabolical the actions seem to the audience. The rational person is capable of this emulation, for understanding is the ability to reason out a new and yet reproducible indian lodge a new order of values and beliefs that constitute his own system of mores. Convinced of this se lf-devised system, the villain is able to convincingly impose it upon others and because, to contain them towards advancing his cause. Reason also empowers the villain with an aptitude for discerning an order in the midst of chaos and turning adversity into good fortune. With a self-defined strand of logic and conclude, the villain fashions a code of ethics and morality fitting to his purposes, which makes his cattiness tolerable to him. The rational mind can utilise logic and reasoning to arrange values and beliefs in an order that is credible, and therefore irrefutable to the self. Reasonable, therefore believable and irrefutable-this customised moral code is convincing, and from this conviction, the villain will not be bothered by the morality ... ..., Inc., n. d. Fergusson, Francis. Macbeth as the Imitation of an Action. Shakespeare The Tragedies. A Collectiion of slender Essays. Alfred Harbage, ed. Englewwod Cliffs, NJ Prentice-Hall, Inc., 1964. Frye, Northrop. Fools of T ime Studies in Shakespearean Tragedy. Toronto, Canada University of Toronto Press, 1967. Greenblatt, Stephen. Introduction to Macbeth. The Norton Shakespeare. New York Norton, 1997. 2555-63. Knights, L.C. Macbeth. Shakespeare The Tragedies. A Collectiion of Critical Essays. Alfred Harbage, ed. Englewwod Cliffs, NJ Prentice-Hall, Inc., 1964. Lamb, Charles. On the Tragedies of Shakespeare. N.p. n.p.. 1811. Rpt in Shakespearean Tragedy. Bratchell, D. F. New York, NY Routledge, 1990. Mack, Maynard. Everybodys Shakespeare Reflections primarily on the Tragedies. Lincoln, NB University of Nebraska Press, 1993.