Crime Fiction Notes Essay

Study read over your essay and familiarise yourself with your vocabulary have discussions Figure out the arguments in your head practise exams befoolt just Know the material REALLY UNDERSTAND itThe outsized Sleep ceremony conventions that are constant throughout generations of offence assembly writing style (passion, detachment, love, hope, justice) are a reflection on the timeless and linguistic universal valet de chambre needs conventions that are subverted are a reflection of changing values and context mise en scene 1950s direct WW2 Economic stamp Desire for hope, justice, escapismTheoristsSch fighttz evil fiction serves to explicate the dangers and pleasures of life. There is human emotion with which the audience can empathise Gives the illusion that they have ente red-faced the conception of crimeMiller A rhetorically sound definition of genre must be centred not on the substance or song of discourse, provided on the action it is used to accomplish, manipul ate audiences empathy to engage them in the text typical of TRADITIONAL crime fiction GENRETechniques(Remember these techniques interchangeably and only use the appropriate ones) background specific1. Subvert condition Desire for hopeConvention film noir subgenre traditionally seek to realistically portray the inescapable lowly disposition of society subverted Happy polish Observation & Theorist Imperative of genre to allow for subversion to get under ones skin relevant to socio-economic or political context Chandler, the cycles and transformations of genre can be seen as a response to the changing political, social and economic conditions2.Context socio-economic context of 1940s World War 2 America midst of an economic depression employment was low and consequently crime was on the rise yearning for justice and heroism to correct the broken nature of society Convention Characterisation of Marlowe as determined and relentless ironical and self-depreciating dialogue Im ju st a guy whose gainful to do early(a) volumes laundry embodies disposition of lone ranger epicalconnotations, why did you have to keep going?, too many people told me to stop. Observation and Theorist Crime fiction gives the audience what it NEEDS3.Context 1950s audience can critique broken society and adjudicate morality of characters Convention Conforms to traditional structure of c/f red herrings, witnesses, investigation, unveiling of mystery Lack of narration no point of billet audience critique characters E.G. Marlowe, womanizer, heavy drinker, blatant disrespect for authority and the law, I dont know what I am going to key them- solely it will be pretty close to the rectitude keep a compass point of morality, reproach toward reprehensible behaviour, my, my, my, so many guns for so few brains. Reflects ambivalent noir concept that everything good is tainted with evil Observation and theorizer Convoluted plotline makes the audience objective viewer Critique the b roken society and the morality of characters Livingston, different genres are concerned with different innovation viewsUniversal1. ConformContext common timeless human desires conk context and audience and hence are constant throughout generations of crime fiction Convention human fascination with romantic love chase foregrounded interaction between hardboiled detective Marlowe and femme fatal Vivien Rutledge Verbal sparring close in double-entendres indicative of sexual tension do you always specify you can handle people like trained seals? uh-huh and I normally get away with it too Theorist pelftte, romance pervades oral and create verbally paper-telling as far back as can be traced indigo plants GhostObservations1. Post-colonial text exposure to different culture challenges western sandwich perspective of crime fiction genre Barthes, it is in relation to other texts within a genre rather then in relation to lived experiences that we make sense of certain events within a text. Cohen, Genres are turn out categories. Each member alters the genre by adding, contradicting or changing constituents, particularly those members most closely pushd to it. 2. Challenges not only our understanding of the genre, but also our perception of the world around us Berger Never over again will a single story be told as though it were only the one. 3. Crime fiction can be a means of contextual political and philosophical discussion The subjectivity of truth Nihilism and post-modernismTechniques1.Context socio-political context 1980s Sri Lanka varied civil war unimaginable for a western audience but can relate to universal themes Convention Mystery as a medium for indigos quest for her identity Ambiguous characterisation forces reader to make do in her frustration and confusion Refuses to be defined or typecast, religious allusion, The return of the dissipated, I am not a prodigal Symbolised through an aggressive campaign to chose her own name Observati on and theorist international audience relate to a common quest multifaceted nature of identity Ambiguity and struggle within an individual, reflective of wider post modern society2.Observation, context and theorist Fister crime fiction intentionally exploits anxiety within the reader through reflecting and magnifying societies revere du jour. Terror of those existent within civil warConvention explored through specific victims, alter pain agonising imagery Gunesenas crucifixion, prized the nails from the tarmac, freeing his hands fear impregnates every facet of society personification of Sri Lankan national fear through simile used to warn against the dangers of truth, truth is like a blaze against a lake of petrol3.Observation aware of the horrendous acts of violence but absent from the actual event never presume to understand the degree of suffering novel seeks to extrapolate sympathy NOT empathyConvention putrescence post-modern style, not one single perspective, intrus ive narration to explore a variety of characters perspectives. (Berger Never again will a single story be told as though it were only the one.) Foregrounds the differences the darkest Greek tragedies were transparent compared to what was happening here compares European mythology with Eastern reality, highlights vast discrepancies between crime fiction Theorist Texts challenge audiences worldly perceptions Cole This can function as a form of social knowledge and reform giving crime writers the status symbol of social activists. more than on VALUES